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DETAIL : A nicely preserved sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai ("three-colored") wares were first made ... morefor burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Exceptionally Well Preserved. ... moreLarge, Cute and Colorful Genuine 19th Century“Ming Style” Qing Dynasty Dragon Motif Porcelain Wall Plaque. CLASSIFICATION: Sancai(Three-Color” Glazed Porcelain Wall Plaque. ATTRIBUTION: China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Diameter: 213 millimeters(8 1/2 inches) Thickness: 12 millimeters(1/2 inch) CONDITION: Exceptionally good– almost perfectly preserved. A little wear consistent with any household item which is close to two centuries in age. The customary blemishes inherent in hand production of porcelain– warts and dimples. Zits and pits. Not flawless, but certainly in a very good state of preservation. DETAIL: A splendidly preserved three color wall plaque so wonderfully characteristic of late Ming and early Qing Dynasty artwork. Somewhere in the dim mists of ancient Chinese mythology. The dragon came to represent male virtues; and the female counterpart, the“dragon’s bride” came to be the phoenix bird. This theme of dragon and dragon’s bride, or phoenix bird, became an extremely popular motif during the Ming Dynasty(14th-17th century) especially in decorative arts such as porcelain vases, bowls, etc. This very large wall plaque continues this theme, with a very handsome and clear depiction of the a classic mythological ancient Chinese dragon. The dragon symbolizes the Chinese people and the people from Chinese origin considered themselves. With a certain amount of pride, descendants from the dragon" According to legend, this ancestral dragon was a creature with a deer's antlers, a camel's head, the eyes of a hare, the neck of a serpent, the teeth of a crocodile, claws of an eagle, paws like a tiger, and the ears of a buffalo. This mythical creature was capable of ascending to the heavens, and descending to the depths of the sea, and was able to morph from its dragon form into other forms. The Chinese sign for the dragon ap
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Condition: Used
Location: Lummi Island, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Wonderfully Preserved Genuine ... moreLate 19th Century Qing Dynasty Chinese Blue and White(Ming” Style) Porcelain Cosmetic Case/Jewelry Box. CLASSIFICATION: Blue and White Porcelain Box/Case. ATTRIBUTION: China. Qing Dynasty, Late 1800’s to early 1900’s A.D. SIZE/MEASUREMENTS: Outside Height: 82 millimeters(3 1/4 inches) Outside Diameter: 131 millimeters(5 1/4 inches) Inside Height: 35 millimeters(1 3/8 inches) Inside Diameter: 114 millimeters(4 5/8 inches) Height: Inside: 35 millimeters(1 3/8 inch) Lid: 41 millimeters(1 2/3 inches) Base: 46 millimeters(1 7/8 inches) CONDITION: Very good. Entirely intact. A little wear consistent with any household item which is over a century in age. A few minute blemishes typical of handcrafted ancient porcelain of the era– almost indiscernible. Not flawless, but certainly in an excellent state of preservation. DETAIL: A nicely preserved very cute little cosmetic case or jewelry box done in the traditional blue and white porcelain so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The glaze is entirely intact. Vibrant cobalt blue, and the condition of the case is exceptionally good. There are of course a few minor scuffs, marks, dings, etc. As well there are the little blemishes so typical of handcrafted porcelain of the Qing and Ming Dynasties; warts, dimples, pimples and pits; but hardly noticeable except with critical scrutiny. All of the preceding almost unnoticeable and very minor, we’re just playing critic here in the interest of full disclosure. The depiction on the outside on the top of the lid is of three men in an idyllic park setting This is as close to as good as one can reasonably expect of a porcelain box somewhere between one and two centuries old. While it’s not perfect. It is about as close to it as you will ordinarily find of an authentic porcelain box like this, and there are no repairs. Of course realist
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Condition: Used
Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
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Cute. Exceptionally Well Preserved Genuine 19th Century Qing Dynasty Chinese Blue and White(Ming” Style) Hand Painted Porcelain Snuff Bottle. CLASSIFICATION: ... moreBlue and White Painted Porcelain Snuff Bottle. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 63 millimeters(2 1/2 inches) Bowl Diameter: 50 millimeters(2 inches) Base Diameter: 26 millimeters(1 inch) CONDITION: Exceptionally good. Almost perfectly preserved, except for a missing stopper. A little wear consistent with any household item which is 150 or 200 years old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A very cute. Splendidly preserved traditional blue and white porcelain snuff bottle so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The tranquil depiction is that of three men conversing in a manicured park setting amongst large birds, tress, foliage, shrubs, etc. The glaze is entirely intact, vibrant cobalt blue, and the condition of the snuff bottle, except for the fact that it is missing a stopper. There is very little of the crackling/crazing of the glaze which so oftentimes afflicts antique porcelain and ceramic finishes. There is of course a little minor wear– we’re not saying it is as when new. But this is as good as one can reasonably expect of a porcelain snuff bottle somewhere around 150 or 200 years old. It’s not perfect, but it is about as close to perfect as you will ordinarily find of an authentic 19th century porcelain snuff bottle like this, and there are no repairs. Of course realistically one would expect some blemishes a century or two after it was produced, and there are no surprises here except that there are so few blemishes. There are a few production blemishes. Again really not noticeable, and quite typical of hand-crafted porcelain of the late Ming/early Qing Dynasties. These are normal potter blemishes associated with hand produced ceramics(bumps, warts, and acne pits) All of these blemishes are virtually unnoticed– but
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HISTORY OF CHINESE EARTHENWARE : The first Chinese ceramics archaeologists have found date back more than 10,000 years. In China, most ceramics made before ... morethe Tang dynasty (600 A.D.) are earthenware.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Cute. Exceptionally Well Preserved ... moreGenuine 19th Century Qing Dynasty Chinese Blue and Celadon Green(Ming” Style) Porcelain Snuff Bottle. CLASSIFICATION: Blue and Green Porcelain Snuff Bottle. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 58 millimeters(2 1/3 inches) including stopper) Breadth: 40 millimeters(1 5/8 inches) Thickness: 26 millimeters(1+ inches) CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is 150 or 200 years old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A very cute. Splendidly preserved traditional cobalt blue on celadon green porcelain snuff bottle so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The“Celadon Green” underglaze is one of the most celebrated styles of ceramic/porcelain glaze in the history of ancient China, originating thousands of years ago. The idyllic depiction is that of a floral arrangement, a classic and traditional theme. The glaze is entirely intact, the celadon green underglaze as well as the vibrant cobalt blue, and the condition of the snuff bottle, including the porcelain stopper, is virtually perfect. There is very little of the crackling/crazing of the glaze which so oftentimes afflicts antique porcelain and ceramic finishes. There is of course a little minor wear– we’re not saying it is as when new. But this is as good as one can reasonably expect of a porcelain snuff bottle somewhere around 150 or 200 years old. It’s not perfect, but it is about as close to perfect as you will ordinarily find of an authentic 19th century porcelain snuff bottle like this, and there are no repairs. Of course realistically one would expect some blemishes after being used for several hundred years, and there are no surprises here except that there are so few blemishes. There are of course a few
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Cute. Exceptionally Well Preserved ... moreGenuine 19th Century Qing Dynasty Chinese Blue and Celadon Green(Ming” Style) Porcelain Snuff Bottle. CLASSIFICATION: Blue and Green Porcelain Snuff Bottle. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 58 millimeters(2 1/3 inches) including stopper) Breadth: 40 millimeters(1 5/8 inches) Thickness: 26 millimeters(1+ inches) CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is 150 or 200 years old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A very cute. Splendidly preserved traditional cobalt blue on celadon green porcelain snuff bottle so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The“Celadon Green” underglaze is one of the most celebrated styles of ceramic/porcelain glaze in the history of ancient China, originating thousands of years ago. The idyllic depiction is that of a floral arrangement, a classic and traditional theme. The glaze is entirely intact, the celadon green underglaze as well as the vibrant cobalt blue, and the condition of the snuff bottle, including the porcelain stopper, is virtually perfect. There is very little of the crackling/crazing of the glaze which so oftentimes afflicts antique porcelain and ceramic finishes. There is of course a little minor wear– we’re not saying it is as when new. But this is as good as one can reasonably expect of a porcelain snuff bottle somewhere around 150 or 200 years old. It’s not perfect, but it is about as close to perfect as you will ordinarily find of an authentic 19th century porcelain snuff bottle like this, and there are no repairs. Of course realistically one would expect some blemishes after being used for several hundred years, and there are no surprises here except that there are so few blemishes. There are of course a few
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Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
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599.99
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Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Cute. Exceptionally Well Preserved ... moreGenuine 19th Century Qing Dynasty Chinese Blue and White(Ming” Style) Hand Painted Porcelain Snuff Bottle. CLASSIFICATION: Blue and White Painted Porcelain Snuff Bottle. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 60 millimeters(2 3/8 inches) including stopper) Breadth: 37 millimeters(1 1/2 inches) Depth: 18 millimeters(3/4 inch) CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is 150 or 200 years old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A very cute. Splendidly preserved traditional blue and white porcelain snuff bottle so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The tranquil depiction is that of a number of people enjoying a serene park setting amongst large birds, tress, foliage, shrubs, etc. The glaze is entirely intact, vibrant cobalt blue, and the condition of the snuff bottle, including the porcelain stopper, is virtually perfect. The green, yellow, and red are hand painted accents, and are likewise in very good condition. There is very little of the crackling/crazing of the glaze which so oftentimes afflicts antique porcelain and ceramic finishes. There is of course a little minor wear– we’re not saying it is as when new. But this is as good as one can reasonably expect of a porcelain snuff bottle somewhere around 150 or 200 years old. It’s not perfect, but it is about as close to perfect as you will ordinarily find of an authentic 19th century porcelain snuff bottle like this, and there are no repairs. Of course realistically one would expect some blemishes after being used for several hundred years, and there are no surprises here except that there are so few blemishes. There are of course a few minute production blemishes. Again really not noticeable, and quite typica
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Location: Lummi Island, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Exceptionally Well Preserved. ... moreLarge, Genuine 19th Century Qing Dynasty Chinese Blue and White(Ming” Style) Porcelain Vase/Jar. Perfect for a Floral or Foliage Display! CLASSIFICATION: Blue and White Porcelain Vase/Jar. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 218 millimeters(8 3/4 inches) Diameter: 215 millimeters(8 2/3 inches) at belly; 86 millimeters(3 1/2 inches) at top lip; 165 millimeters(5 2/3 inches) at base. CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is over one hundred(perhaps close to two hundred) years in age. The normal blemishes common to hand produced porcelain(warts and dimples, zits and pits) Not flawless, but certainly in an excellent state of preservation– no chips of any significance(even minor) no cracks or crazing. No repairs, entirely original. DETAIL: A splendidly preserved very large traditional blue and white porcelain vase so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The glaze is entirely intact. Vibrant cobalt blue, and the condition of the vase is almost perfect. There are of course a few minor scuffs, marks, dings, etc. all virtually undetectable. This is as good as one can reasonably expect of a vase somewhere between one hundred and two hundred years old. While the vase might not be absolutely perfect, it is about as close to perfect as you will ordinarily find of an authentic porcelain jar like this, and there are no repairs. Of course realistically one would expect some blemishes over a century after it was originally produced, so there are no surprises here except that there are so few blemishes. There are as well a few production blemishes(warts. Dimples, zits and pits) Again really not noticeable, and quite typical of hand-crafted porcelain of the late Ming/early Qing Dynasties. Overall it is an except
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Location: New York, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Exceptionally Well Preserved. ... moreLarge, Genuine 19th Century Qing Dynasty Chinese Blue and White(Ming” Style) Porcelain Vase/Jar. Perfect for a Floral or Foliage Display! CLASSIFICATION: Blue and White Porcelain Vase/Jar. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 218 millimeters(8 3/4 inches) Diameter: 215 millimeters(8 2/3 inches) at belly; 86 millimeters(3 1/2 inches) at top lip; 165 millimeters(5 2/3 inches) at base. CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is over one hundred(perhaps close to two hundred) years in age. The normal blemishes common to hand produced porcelain(warts and dimples, zits and pits) Not flawless, but certainly in an excellent state of preservation– no chips of any significance(even minor) no cracks or crazing. No repairs, entirely original. DETAIL: A splendidly preserved very large traditional blue and white porcelain vase so wonderfully characteristic of late Ming/early Qing Dynasty artwork. The glaze is entirely intact. Vibrant cobalt blue, and the condition of the vase is almost perfect. There are of course a few minor scuffs, marks, dings, etc. all virtually undetectable. This is as good as one can reasonably expect of a vase somewhere between one hundred and two hundred years old. While the vase might not be absolutely perfect, it is about as close to perfect as you will ordinarily find of an authentic porcelain jar like this, and there are no repairs. Of course realistically one would expect some blemishes over a century after it was originally produced, so there are no surprises here except that there are so few blemishes. There are as well a few production blemishes(warts. Dimples, zits and pits) Again really not noticeable, and quite typical of hand-crafted porcelain of the late Ming/early Qing Dynasties. Overall it is an except
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Condition: Used
Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Genuine Intricate. Beautiful ... moreAncient Chinese Buddhist Shrine Decorative Clay Tile Depicting Eight Hindu-Style Bodhisattvas. Possibly an 18th or 19th Century Revival Imitative. CLASSIFICATION: Ancient Chinese Buddhist Clay Shrine Tile. ATTRIBUTION: In the Style of Ancient China. Liao Dynasty(907-1125 A.D. SIZE/MEASUREMENTS: Length: 243 millimeters(9 3/4 inches) Width: 188 millimeters(7 1/2 inches) Thickness: 25 millimeters(1 inch) Weight: 3 pounds. 6 ounces(about 1½ kilograms) CONDITION: Exceptional. Integrity entirely intact. No significant chips or cracks. Minor surface crazing. Professionally conserved. Can be sealed upon request. DETAIL: This is a very beautiful. Intricately detailed gray clay tile from the Liao Dynasty of ancient China. These clay tiles were used to decorate the inside walls of Buddhist shrines. The depiction is somewhat reminiscent of a Hindu depiction. Of course Buddhism came to China from Hindu India, and there exist of course many parallels between the Chinese and Indian variants of Buddhism. The depiction is of eight bodhisattvas of various sizes. There is a little surface crazing and a few minute chips; but no cracks or major chips. It is constructed of very strong sintered clay produced using a very special technique often employed to produce strengthened steel. Although it is probable that this specimen is much older. It is also possible that this piece might be a revivalist imitative produced for the European market of the 18th or 19th century. It is widely known that Chinese porcelain and other ceramic artwork was quite popular in Victorian Europe. Carrying Chinese porcelain from China to Europe was an industry for the seafaring mariners of the 16th. 17th, and 18th centuries. Entire fleets of sailing ships plied the trade, especially the Dutch and English. However in addition to porcelain, ancient Chinese ceramics were also extremely popular in Vi
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Location: Lummi Island, United States
DETAIL : A well well-preserved, and very large sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai ("three-colored") ... morewares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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699.99
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Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
$
699.99
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$56.99 Shipping
Location: Lummi Island, United States
The Manchus retained many institutions of Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals. The Manchu emperors ... moresupported Chinese literary and historical projects of enormous scope.
$
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Location: Lummi Island, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Very Nicely Preserved. Very Beautiful, ... moreGenuine 16th-17th Century Ming Dynasty Chinese“Famille Rose” Porcelain Bowl. Perfect as a Candy or Potpourri Bowl for Work or Home. CLASSIFICATION: Famille Rose Style Porcelain Bowl. ATTRIBUTION: Ancient China. Ming Dynasty, Between 1500 and 1600 A.D. SIZE/MEASUREMENTS: Diameter: 125 millimeters(5 inches) at top rim; 68 millimeters(2 2/3 inches) at base. Height: 42 millimeters(1 2/3 inches) CONDITION: Very good. A little wear consistent with any household item which is between four and five centuries in age. A few of the customary. Almost obligatory rim chips(one small, one tiny) The typical blemishes of hand production(warts and dimples, zits and pits) Not flawless, but certainly in an excellent state of preservation. DETAIL: A splendidly preserved scalloped“famille rose” porcelain bowl so wonderfully characteristic of the very popular export Ming and Qing Dynasty porcelain china. The particular style was extremely popular both in England and Europe throughout the 16th to 19th centuries. As well as in the USA during the 1800’s. This piece is a wonderful example of this very famous produce. The glaze is entirely intact, vibrantly colored, and the condition of the plate is wonderful! As you can see, the bowl not only has a delightful hand-painted floral design on the outside surface of the bowl, the inside sports a gorgeous and thick green porcelain glaze. If you look closely at the pictures here, you will see that there are a few very small rim chips. One of them is very tiny and requires a lot of searching to find it– even if you know it is there. It is a very tiny chip on the outside of the rim. There is a somewhat larger, though still quite small rim chip on the inside of the rim. These fine little rim chips are not only common in ancient porcelain. They’re almost obligatory. A bowl five centuries old without any such blemishes would al
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Location: Lummi Island, United States
Export Wares from Swatow, Dehua and Yixing. Publisher: Victoria & Albert Museum (2011). Pages: 144. Chinese export ceramics are highly valued and collectible. ... moreSuperb new photography reveals over 200 stunning pieces ranging from bowls, pitchers, and vases, to statuary and much more.
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Location: Lummi Island, United States
DETAIL : A nicely preserved sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai ("three-colored") wares were first made ... morefor burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
$
499.99
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Location: Lummi Island, United States
Chinese Ceramics: From the Paleolithic Period through the Qing Dynasty by Laurie Barnes and Pengbo Ding. Publisher: Yale University (2010). Pages: 608. ... moreThe creation of ceramic ware holds a special and very important place among the many arts and inventions that characterize Chinese culture, society, and civilization.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine 15th ... moreor 16th Century Ming Dynasty“Sancai” Glazed Ceramic Statuette of a Horse and Rider. CLASSIFICATION: Sancai Glazed Ceramic Statuette. ATTRIBUTION: Ancient China. Ming Dynasty, 15th or 16th Century. SIZE/MEASUREMENTS: Height: 278 millimeters(11 1/8 inches) Length: 232 millimeters(9 1/3 inches) Breadth: 99 millimeters(4 inches) Base: 150 x 74 millimeters(6 inches x 3 inches) 12 millimeters(1/2 inch) in thickness. CONDITION: Very good. Minor porcelain chips. There are minor chips in the porcelain glaze at the rider’s right front shoulder; to the rider’s waist, behind, center; to the back side of the horse’s right leg; at the edge of the horse’s stomach, right side, center; and at the rider’s left elbow. There is as well a scattering of minute porcelain chips throughout, and the top of the horse’s right ear is also chipped. Other than cleaning, there has been no restoration work. The minor chips could be repaired, without additional cost, if you would like our conservator to repair the chips. There remains some mild soil adhesions, small areas where soil still adheres to the statuette, despite our best efforts to clean away all soil adhesions. Of course the paint has decomposed and is powdery in those areas where the statuette was merely painted(not glazed) the rider’s head, boot, and hands. Not flawless, but certainly in a better than average state of preservation. DETAIL: A nicely preserved. Very large sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai, or three-color glazes principally in yellow, green and brown was a development of the Tang Dynasty(618-907 AD) Sancai(three-colored" wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black. The production of such exquisite porcelain items re
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Location: Lummi Island, United States
DETAIL : A nicely preserved sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai ("three-colored") wares were first made ... morefor burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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99.99
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Location: Lummi Island, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine 19th ... moreCentury Qing Dynasty“Famille Rose” Style Hand Painted Porcelain Teapot. CLASSIFICATION: Famille Rose Style Porcelain Teapot. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 113 millimeters(4 1/2 inches) Width(including spout) 136 millimeters(5 3/8 inches) Diameter: 103 millimeters(4 1/8 inches) at belly; 57 millimeters(2 1/3 inches) at top lip; 100 millimeters(4 inches) at base. CONDITION: Very good. Entirely intact. There’s an old repair to a rim chip. A little wear consistent with any household item which is a century old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A splendidly preserved. Petite(four-cup, or two mug) hand painted“famille rose” style porcelain teapot so wonderfully characteristic of the very popular export Qing Dynasty porcelain china. The particular style was extremely popular both in England as well as the USA during the 1800’s. This is a wonderful example of this very famous produce. The glaze is entirely intact, a very colorful park setting quite characteristic of Ming and Qing Dynasty porcelain. The depiction consists of six different people(including what appears to be one child) seemingly involved in leisure activities in a setting which includes shrubs, a fence, etc. Again, a quite typical depiction of an idyllic park setting. The condition of the pot is very good. There is an old repair(we did not made the repair) to a rim chip at the top rim. You can see it in the photographs. Notwithstanding the repaired chip, the porcelain glaze is otherwise in very good condition, still brightly colored, not oxidized or crackled. There are of course a few minor scuffs, marks, dings, etc. as well as a few of the ordinary potting blemishes(warts, dimples, pimples and pits) again really not noticeable, and quite typical of hand-crafted porcelain of the late Ming/ea
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Condition: Used
Location: Lummi Island, United States
DETAIL : A nicely conserved, well well-preserved, and very large sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai ... more("three-colored") wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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CONDITION : GOOD. Knopf (1941) 345 pages. Book appears to have never been read. HOWEVER the book is 80+ years old, and does evidence a bit of very faint ... moreage-tanning along the inside (spine side) edge of both the back and front end papers.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Large Genuine 15th or 16th Century ... moreMing Dynasty Chinese Green Glazed“Sancai” Votive Statuette of a Female Attendant Holding a Tiger. CLASSIFICATION: Sancai Glazed Ceramic Statuette with Detachable Head. ATTRIBUTION: Ancient China. Ming Dynasty, 15th or 16th Century. SIZE/MEASUREMENTS: Height(including detachable head) 302 millimeters(12 1/8 inches) Breadth: 106 millimeters(4 1/4 inches) Thickness: 71 millimeters(2 7/8 inches) Base: 97 x 71 millimeters(3 7/8 x 2 7/8 inches) CONDITION: Exceptionally good. Light soil adhesions and slightly oxidized glaze(due to prolonged contact with soil while buried) A little wear consistent with any funerary item which is over five(perhaps close to six) centuries in age including the customary little blemishes expected with hand-produced ancient porcelain. Not absolutely flawless. But certainly in a very good state of preservation. DETAIL: A nicely conserved. Relatively well-preserved, and considerably larger than customary sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai, or three-color glazes principally in yellow, green and brown was a development of the Tang Dynasty(618-907 AD) Sancai(three-colored" wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black. The production of such exquisite porcelain items required multiple firings of fine white clay at temperatures near 1000c(1800f) degrees. A wide variety of statuettes were commonly produced such as musicians, chamberlains(butlers) maids, cooks, even animals; all designed to serve their deceased master. This particular depiction is that of a young female, with a detachable head, likely depicted a female attendant or servant, holding a tiger. This is probably in reference to the master's zodiac sign(one of the twelve signs
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Nicely Preserved Genuine 15th or 16th Century Ming Dynasty Chinese Green Glazed“Sancai” Statuette of a Man(Probably Originally Holding a Banner. Sun Shade ... moreor Canopy) CLASSIFICATION: Sancai Glazed Ceramic Statuette. ATTRIBUTION: Ancient China. Ming Dynasty, 15th or 16th Century. SIZE/MEASUREMENTS: Height: 200 millimeters(8 inches) Breadth: 61 millimeters(2 3/8 inches) Thickness: 49 millimeters(2 inches) Base: 51 x 49 millimeters(approximately 2 inches square) CONDITION: Exceptionally good! No major blemishes. Breakage, or repairs; however quite a number of modest chips. A little wear consistent with any funerary item which is over five(perhaps close to six) centuries in age including the customary little blemishes characteristic of handcrafted ancient porcelain. A little glaze crazing/crackling as is common with ancient porcelain. Not flawless, but certainly in a better than average state of preservation. DETAIL: A nicely preserved sancai glazed statuette so wonderfully characteristic of Ming Dynasty artwork. Sancai. Or three-color glazes principally in yellow, green and brown was a development of the Tang Dynasty(618-907 AD) Sancai(three-colored" wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black. The production of such exquisite porcelain items required multiple firings of fine white clay at temperatures near 1000c(1800f) degrees. A wide variety of statuettes were commonly produced such as musicians, chamberlains(butlers) maids, cooks, even animals; all designed to serve their deceased master. In early Tang dynasty. Production of sancai pottery figurines dominated the pottery scene, and their production continued well into the Ming era which advanced the art with more intense colors and finer porcelain clay. The pottery and porcelain figures produced from the Tang all the way through the Ming Dynasties are famous even until today for their beautiful multicolo
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Condition: Used
Location: Lummi Island, United States
DETAIL : A nicely conserved, relatively well-preserved, and considerably larger than customary sancai glazed statuette so wonderfully characteristic of ... moreMing Dynasty artwork. Sancai ("three-colored") wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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212 pages with color tipped in plates of the artwork. The greatest strength, however, are the landscape paintings. Considered the highest category of ... morepainting in China, the landscape embodies the ideals of the Confucian scholar.
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Location: Lummi Island, United States
DETAIL : A nicely preserved clay statuette so wonderfully characteristic of Tang Dynasty statuary. Sancai ("three-colored") wares were first made for ... moreburial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Cute. Exceptionally Well Preserved ... moreGenuine 19th Century Qing Dynasty Chinese(Bovine) Bone and Horn Snuff Bottle. CLASSIFICATION: Bovine Bone and Horn Snuff Bottle. ATTRIBUTION: Ancient China. Qing Dynasty, Late 19th or Early 20th Century. SIZE/MEASUREMENTS: Height: 72 millimeters(2 7/8 inches) including stopper) Breadth: 41 millimeters(1 2/3 inches) Thickness: 26 millimeters(1+ inches) CONDITION: Exceptionally good. Almost perfectly preserved. A little wear consistent with any household item which is 100 years old. Not flawless, but certainly in an excellent state of preservation. Stopper intact. DETAIL: A very cute. Splendidly preserved bone and horn snuff bottle so wonderfully characteristic of late Qing Dynasty artwork. It was entirely crafted by hand, from the cutting and polishing of the bone vessel and dyed horn base and top, to the fine engraving and painting. The snuff bottle is entirely intact, and the condition of the snuff bottle, including the intact stopper, is virtually perfect. There is of course a little minor wear- we're not saying it is as when new. But this is as good as one can reasonably expect of a bone snuff bottle somewhere around 100 years old. It's not perfect, but it is about as close to perfect as you will ordinarily find of an authentic 19th(or early 20th) century snuff bottle like this, and there are no repairs. Of course realistically one would expect some blemishes of a personal article such as this after being used for a century, and there are no surprises here except that there are so few blemishes. There are a few blemishes. Again really not noticeable, and quite typical of hand-crafted snuff bottles of the late Ming Qing Dynasty. All of these blemishes are virtually unnoticed- but we're playing critic in the name of full disclosure. Overall it is an exceptionally attractive piece, and extraordinarily well preserved specimen of the ancient Chi
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DETAIL : Here's a nicely conserved, relatively well-preserved, and considerably larger than customary sancai glazed statuette so wonderfully characteristic ... moreof Ming Dynasty artwork. Sancai ("three-colored") wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Ostensibly Eighth ... moreor Ninth Century A.D. Tang Dynasty Sancai Glazed Ceramic Statuette of a Female Musician Holding a Stringed Instrument(Probably a“Pipa” CLASSIFICATION: Ceramic Statuette. ATTRIBUTION: In the Style of Ancient China. Tang Dynasty, 8th or 9th Century A.D. Possibly a Ming Dynasty or 18th or 19th Century Qing Dynasty Revival Imitative. SIZE/MEASUREMENTS: Height: 151 millimeters(6 inches) Breadth: 81 millimeters(3 1/4 inches) Thickness: 82 millimeters(3 3/8 inches) CONDITION: Very good. No repairs but the majority of glaze is gone. A little wear and a few blemishes consistent with any decorative item which was buried for over one thousand years. Not flawless, but certainly in a better than average state of preservation– and unrepaired! Stands on its own. DETAIL: A nicely preserved clay statuette so wonderfully characteristic of Tang Dynasty statuary. Sancai. Or three-color glazes principally in yellow, green and brown was a development of the Tang Dynasty(618-907 AD) Sancai(three-colored" wares were first made for burial, using lead-based glazes that produced mottled and streaky effects in green, amber-brown, and cream, with an occasional addition of blue or black. The production of such exquisite porcelain items required multiple firings of fine white clay at temperatures near 1000c(1800f) degrees. A wide variety of statuettes were commonly produced such as musicians, chamberlains(butlers) maids, cooks, even animals; all designed to serve their deceased master. In early Tang dynasty. Production of sancai pottery figurines dominated the pottery scene, and their production continued well into the Ming era which advanced the art with more intense colors and finer porcelain clay. The pottery and porcelain figures produced from the Tang all the way through the Ming Dynasties are famous even until today for their beautiful multicolored glazes occu
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Location: Lummi Island, United States
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine 19th ... moreCentury Qing Dynasty“Famille Rose” Style Hand Painted Porcelain Teapot. CLASSIFICATION: Famille Rose Style Porcelain Teapot. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height: 113 millimeters(4 1/2 inches) Width(including spout) 136 millimeters(5 3/8 inches) Diameter: 103 millimeters(4 1/8 inches) at belly; 57 millimeters(2 1/3 inches) at top lip; 100 millimeters(4 inches) at base. CONDITION: Very good. Entirely intact. There’s an old repair to a rim chip. A little wear consistent with any household item which is a century old. Not flawless, but certainly in an excellent state of preservation. DETAIL: A splendidly preserved. Petite(four-cup, or two mug) hand painted“famille rose” style porcelain teapot so wonderfully characteristic of the very popular export Qing Dynasty porcelain china. The particular style was extremely popular both in England as well as the USA during the 1800’s. This is a wonderful example of this very famous produce. The glaze is entirely intact, a very colorful park setting quite characteristic of Ming and Qing Dynasty porcelain. The depiction consists of six different people(including what appears to be one child) seemingly involved in leisure activities in a setting which includes shrubs, a fence, etc. Again, a quite typical depiction of an idyllic park setting. The condition of the pot is very good. There is an old repair(we did not made the repair) to a rim chip at the top rim. You can see it in the photographs. Notwithstanding the repaired chip, the porcelain glaze is otherwise in very good condition, still brightly colored, not oxidized or crackled. There are of course a few minor scuffs, marks, dings, etc. as well as a few of the ordinary potting blemishes(warts, dimples, pimples and pits) again really not noticeable, and quite typical of hand-crafted porcelain of the late Ming/ea
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Condition: Unspecified
Location: Lummi Island, United States
Nicely Preserved 19th Century Qing Dynasty Chinese Olive Green Salamander and Bat Motif Glazed Sculpted Ceramic Jar. The Manchus retained many institutions ... moreof Ming and earlier Chinese Dynasties, continuing Confucian court practices and temple rituals.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine Seventh ... moreCentury A.D. Sui-Tang Dynasty Painted Clay Statuette of a Matronly Lady. CLASSIFICATION: Painted Pottery Statuette. ATTRIBUTION: In the Style of Ancient China. Sui-Tang Dynasty, 7th Century A.D. Possibly an 18th or 19th Century Revival Imitative. SIZE/MEASUREMENTS: Height: 156 millimeters(6 1/4 inches) Breadth: 62 millimeters(2 1/2 inches) Depth: 47 millimeters(1 7/8 inches) CONDITION: Very Good. Almost all of the paint has oxidized/decomposed except for the black of the hair. And traces of red on the robe’s sash. A little wear and a few blemishes consistent with any funerary item which is 1,400 years old. Some encrusted dirt which could be gently brushed away with a toothbrush. Not flawless, but certainly in a better than average state of preservation. Stands on its own. DETAIL: A nicely preserved clay statuette so wonderfully characteristic of Sui-Tang Dynasty statuary. Probably the depiction of a matronly woman of high birth. She is depicted in both a formal pose and wearing formal clothes. Once painted in white, black and red, there still remains traces of a thick layer of amount of paint remaining, though it is clear that most of the paint has oxidized/decomposed. Though most of the original black paint coloring the hair remains visible beneath the layer of soil deposition, very little else remains except for a faint trace of red along the robe’s sash. During the Sui and Tang Dynasties. Production of both painted and sancai glazed figurines dominated the pottery scene, and their production continued well into the Ming era which advanced the art with more intense colors and finer porcelain clay. The pottery and porcelain figures produced from the Tang all the way through the Ming Dynasties are famous even until today for their beautiful multicolored glazes and paints occurring on both mortuary pieces for funerary use as well as on utilitarian pie
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine Seventh ... moreCentury A.D. Sui-Tang Dynasty Painted Clay Statuette of a Man Performing Martial Arts. Possibly an 18th or 19th Century Revival Imitative. CLASSIFICATION: Painted Pottery Statuette. ATTRIBUTION: In the Style of Ancient China. Sui-Tang Dynasty, 7th Century A.D. SIZE/MEASUREMENTS: Height: 176 millimeters(7+ inches) Breadth: 125 millimeters(5 inches) Depth: 72 millimeters(2 7/8 inches) CONDITION: Very good. Head was broken off and reattached by our conservator. Virtually all of the paint has oxidized/decomposed. A little wear and a few blemishes consistent with any votive/funerary item which is 1.400 years old. Some encrusted dirt which could be gently brushed away with a toothbrush. Not flawless, but certainly in a better than average state of preservation– and unrepaired! Stands on its own. DETAIL: A nicely preserved clay statuette so wonderfully characteristic of Sui-Tang Dynasty statuary. The statuette depicts a man performing a martial arts move. Something akin to contemporary“mushu” The roots of mushu martial arts extends back at least 4,000 years, and this statuette reflects that heritage. Once painted, it appears that the body was perhaps painted all white or principally white, as it seems that there remains some residual paint beneath the soil deposition layer. However most of the paint this statuette originally possessed has oxidized/decomposed. It does stand on its own, but precariously, you would want to give it some support or something to lean on, as otherwise it does topple easily. During the Sui and Tang Dynasties. Production of both painted and sancai glazed figurines dominated the pottery scene, and their production continued well into the Ming era which advanced the art with more intense colors and finer porcelain clay. The pottery and porcelain figures produced from the Tang all the way through the Ming Dynasties are famous even u
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Damaged/Restored Genuine 19th ... moreCentury Qing Dynasty“Famille Rose” Style Hand Painted Porcelain Teapot. Two Depictions of Daily Life in 19th Century China. CLASSIFICATION: Famille Rose Style Porcelain Teapot. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS: Height(w/lid) 247 millimeters(9 7/8 inches) Width(including spout) 263 millimeters(10 1/2 inches) Lid: Diameter: 102 millimeters(4 1/8 inches) Height: 30 millimeters(1 1/4 inches) Diameter: 195 millimeters(7 7/8 inches) at bowl/base; 110 millimeters(4 3/8 inches) at top lip. CONDITION: Good. But restored. Impact chip in bowl side, crack radiating upwards from upper bowl to rim, downward to mid-bowl. Conservator repaired and stabilized, reinforced inside the bowl, repaired outside the bowl. No other damage, otherwise quite nice. A few production blemishes(warts, dimples, pimples and pits) typical of hand-crafted porcelain of the late Ming/early Qing Dynasties. DETAIL: A very beautiful. Massively sized, hand painted“famille rose” style porcelain teapot so wonderfully characteristic of the very popular export Qing Dynasty porcelain china. The particular style was extremely popular both in England as well as the USA during the 1800’s. This huge piece(it would make about fifteen or twenty cups) is a wonderful example of this very famous produce. It features two splendid depictions of daily life in nineteenth century China. The overall condition of the pot is very good. However it came do us with an impact chip in the side of the bowl, upper, near the head of one standing figure, with cracks radiating both upward and downward from there. Our conservator repaired the chip. And then stabilized and strengthened the damage(including the cracks) from the inside of the bowl. It is still damaged…as are so many antique and ancient porcelains. But the damage has been stabilized, and so long as the artifact i
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Condition: Used
Location: Lummi Island, United States
DETAIL : A nicely preserved clay statuette so wonderfully characteristic of Sui-Tang Dynasty statuary. Probably the depiction of a young woman of high ... morebirth, she is depicted in both a formal pose and wearing formal clothes.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Chinese Bronzes by Mario Bussagli. ... moreNOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Softcover. UK) Littlehampton(1974) 158 pages. The origins of bronze-working in China are mysterious and deeply rooted in ancient Chinese myths. Metallurgy in all its forms seemed miraculous to the ordinary man. And every object, sword or vessel, was thought to possess a spirit of its own. Those who worked with metals seemed to be wizards with supernatural powers, all the more so because the melting operation was preceded, accompanied, and followed by religious ceremonies, exorcism, and magic rites. Mario Bussagli describes the background to the production of Chinese bronzes in fascinating detail. And explains the significance of the different types of ritual vessel and the symbolism of the stylized decoration. The fine illustrations include objects from the Shang, Chou, Han and T'ang periods, and each is described fully in the accompanying notes. CONDITION: LIKE NEW. Unread oversized softcover(and in that sense"new" UK) Littlehampton(1974) 158 pages. Unblemished except for VERY slight edge and corner shelf wear to the covers. Pages are pristine; clean. Crisp, unmarked, unmutilated, tightly bound, and"unread" though I would add that it does appear that it was probably flipped through a few times while on the bookseller's shelf. Condition is entirely consistent with new stock from an open-shelf bookstore environment such as Barnes& Noble or B. Dalton) wherein
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The Spread of Tin-Glazed Earthenware: Italian Maiolica. 'Court Styles' of the Renaissance: Urbino Maiolica, Saint-Porchaire and Palissy Ware. There are ... moremany excellent quality color reproductions of superior standard examples of various styles of ceramics.
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The Empire period and the Great Exhibition are shown to be a great stimulus to ceramic production, while the 20th century is characterized by the separation ... moreof the designer, manufacturer and artist, reflected in the modernism of the Bauhaus style and the influence of Art Deco.
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Location: Tullamarine, Australia
HISTORY OF CHINESE EARTHENWARE : The first Chinese ceramics archaeologists have found date back more than 10,000 years. In China, most ceramics made before ... morethe Tang dynasty (600 A.D.) are earthenware.
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Antique 19thC China Blue White Ming Style Porcelain Liquor Hu w Hot Water Jacket
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Nicely Preserved Genuine 19th Century Qing Dynasty Chinese Blue and White(Ming Style” Porcelain Liquor(or“Huangjiu” Wine) Hu Which Inserts into Hot Water Sleeve. CLASSIFICATION: Blue and White Porcelain Liquor/Wine Hu with Hot Water Sleeve. ATTRIBUTION: Ancient China. Qing Dynasty, 19th Century. SIZE/MEASUREMENTS ASSEMBLED HU: Height: 132 millimeters(5 1/3 inches) Diameter: 104 millimeters(4 1/8 inches) point-to-point; 93 millimeters(3 2/3 inches) side-to-side; 57 millimeters(2 1/3 inches) at top lip of jacket(insert removed) SIZE/MEASUREMENTS INSERT ONLY: Height(w/lid) 109 millimeters(4 3/8 inches) Breadth(including spout) 81 millimeters(3 1/4 inches) Diameter: 66 millimeters(2 2/3 inches) at top ledge; 55 millimeters(2 ... more1/4 inches) cylinder and base; 39 millimeters(1 5/8 inches) at top lip. Lid Diameter: 42 millimeters(1 2/3 inches) Lid Height: 14 millimeters(5/8 inches) at top lip. CONDITION: Very good. Entirely intact. A little wear consistent with any household item which is over a century old. The customary blemishes inherent in hand production of porcelain– warts and dimples, zits and pits. Not flawless, but certainly in a very good state of preservation. DETAIL: Here's a nicely preserved traditional blue and white porcelain liquor(or wine) hu” decanter) so wonderfully characteristic of late Ming/early Qing Dynasty artwork. As you can see. The vessel bears a traditional depiction of a home in a rural residential setting, including trees, a backdrop of mountains, etc. The glaze is entirely intact, vibrant cobalt blue, and the condition of the pot is exceptionally good. There are of course a few minor scuffs, marks, dings, etc. As well there is one of the almost obligatory rim chips, repaired with a porcelain patch, but it is an old repair, not repaired by us. Otherwise the vessel is without any other damage or significant blemishes. The blemishes it doe