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Anyone who wants to trace ancient history in scripture should use wax tablet and stylus! The Roman wax tablet (lat. cera, tabula) was a rectangular wooden ... moretablet coated with beeswax. The wax tablets were used till the Middle Ages, written with a stylus (lat. ).
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Fresco is the art of painting on plastered walls. Exceptional Hadrian Æ Sestertius Roman Empire 134-138 AD Copper Novelty Strike. Miniature Museum Replica ... moreof a Bronze Jug V - VI c. AD Ancient Roman Pottery.
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“Who could do what, to whom, and why?. Why did the ancient Romans proudly display their erotic art in public?. What were the rules for heterosexual lovemaking?. ... moreFor homosexual lovemaking?. What was the role of prostitution, both male and female?”.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish[RARE. OUT-OF-PRINT] Looking at ... moreLovemaking: Constructions of Sexuality in Roman Art 100 BC– AD 250" by John R. Clarke. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Hardback with Dust Jacket: 406 pages. Publisher: University of California Press; 1998) This animated and readable book will surprise readers who assume that erotic art is universal in its meaning. Author John R. Clarke asks. what did sex mean to the Romans? In offering his provocative and thoughtful answer, Looking at Lovemaking” examines Roman attitudes toward sex and toward race, ethnicity, physical deformity, and humor as well; and shows how radically the Roman’s conception of these ideas differs from ours today. This richly illustrated volume is the first study of ancient erotic art and sexuality to set these works, many of them newly discovered and previously unpublished, in their ancient context, and the first to define the difference between modern and ancient concepts of sexuality using clear visual evidence. To characterize a work of art as“erotic” summons ideas of illicit images to be kept out of public view. And yet Clarke shows us that Roman depictions of sex. In all its diversity, were very much in demand. Visual representations of sex between men, between women, and between men and women, all in a variety of positions and groupings, were produced in a range of media, from fine cameo-glass and silver vessels to wall-paintings and mosaics, to mass-produced ceramics. These works were
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“Who could do what, to whom, and why?. Why did the ancient Romans proudly display their erotic art in public?. What were the rules for heterosexual lovemaking?. ... moreFor homosexual lovemaking?. What was the role of prostitution, both male and female?”.
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Fresco is the art of painting on plastered walls. Miniature Museum Replica of a Bronze Jug V - VI c. AD Ancient Roman Pottery. Why choose COINLANDIA?. ... moreVespasian, Titus, Domitian AR Denarius Roman Empire 71 AD Silver Novelty Strike.
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Fresco is the art of painting on plastered walls. Exceptional Hadrian Æ Sestertius Roman Empire 134-138 AD Copper Novelty Strike. Divus Julius with Bull-Calf ... moreAR Imperatorial Denarius 40 BC Silver Novelty Strike.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish[RARE. OUT-OF-PRINT] Looking at ... moreLovemaking: Constructions of Sexuality in Roman Art 100 BC– AD 250" by John R. Clarke. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Hardback with Dust Jacket: 406 pages. Publisher: University of California Press; 1998) This animated and readable book will surprise readers who assume that erotic art is universal in its meaning. Author John R. Clarke asks. what did sex mean to the Romans? In offering his provocative and thoughtful answer, Looking at Lovemaking” examines Roman attitudes toward sex and toward race, ethnicity, physical deformity, and humor as well; and shows how radically the Roman’s conception of these ideas differs from ours today. This richly illustrated volume is the first study of ancient erotic art and sexuality to set these works, many of them newly discovered and previously unpublished, in their ancient context, and the first to define the difference between modern and ancient concepts of sexuality using clear visual evidence. To characterize a work of art as“erotic” summons ideas of illicit images to be kept out of public view. And yet Clarke shows us that Roman depictions of sex. In all its diversity, were very much in demand. Visual representations of sex between men, between women, and between men and women, all in a variety of positions and groupings, were produced in a range of media, from fine cameo-glass and silver vessels to wall-paintings and mosaics, to mass-produced ceramics. These works were
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All of my books are VERY OLD and have 100+ years of wear to varying degrees. It's best to place the whole book on a soft pillow, one that the spine can ... moresink into. pages - mostly very clean or with just a few small light spots, but apx 30 or so are dirtier than usual -- see picture #11 - it was one of the dirtiest -out of 944 pages not too bad!
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Bonbonniere Serving Spoons were used by the butler of a fine estate to serve candy or nuts to house or dinner guests. The large arched portion of the ... morepiece would lie under the servant's wrist and be braced by him while serving.
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The period is not, of course, a renaissance in the sense or with the characteristics of the quattrocento. Furthermore, the Eastern Orthodox Church, which ... moreserved as a cohesive social and cultural institution, subsequently formalized many of the guidelines for artistic production in reverence for the Church's teachings and theological perspectives.
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It was commissioned to and painted by Guido Reni in 1614. In Roman mythology, the fresco shows Apollo in his chariot preceded by Dawn (Aurora) bringing ... morelight to the world. Religious motif with Flying Chariot and Angels ascending to Heaven.
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Avar Goldsmiths' Work from the Perspective of Cultural History (Csanad Balint). The conference, organized under the auspices of the British Museum Byzantine ... moreSeminar, was the fifth in an annual series going back to 2003.
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(“Sinai Byzantium Russia: Orthodox Art from the Sixth to the Twentieth Century” by Gosudarstvennyi Ermitazh. Several more general books on Byzantine art ... moreinclude The "Glory of Byzantium", edited by Helen C. Evans, and Thomas F. Mathews's "Byzantium from Antiquity to the Renaissance").
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(“Sinai Byzantium Russia: Orthodox Art from the Sixth to the Twentieth Century” by Gosudarstvennyi Ermitazh. Several more general books on Byzantine art ... moreinclude The "Glory of Byzantium", edited by Helen C. Evans, and Thomas F. Mathews's "Byzantium from Antiquity to the Renaissance").
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Instead they view it as a period of pessimism and nostalgia for classical antiquity. Social and economic historians have focused on the continuity between ... morethe Middle ages and the Renaissance, which they argue are linked "by a thousand ties".
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Externally- BOOK IS IN VERY GOOD /excellent [for its age] CONDITION all around. Internally- inner hinges very good. Textblock is holding but lightly cracked ... moretwice. Thepages are all good and clean with minimal spotting -saw 1 spot and 10 pages of flower shadows [so 5 slots -pictured the worse one by far].
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Like its sister city Pompeii on the Bay of Naples, Herculaneum was buried by the great eruption of Mount Vesuvius in 79 A.D. Unlike Pompeii, smothered ... morein hot ashes, Herculaneum was smothered under a river of hot mud.
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Gothic style buckle with rectangular plate deriving from Roman forms, set with a cabochon glass. The decoration reveals regional Gothic fashion. A necklace, ... morebracelet, rings, and earrings with polyhedral beads would complete the ensemble.
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Museum Reproduction Gothic style buckle with rectangular plate deriving from Roman forms, set with a cabochon glass. The decoration reveals regional Gothic ... morefashion. A necklace, bracelet, rings, and earrings with polyhedral beads would complete the ensemble.
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Readers will have to decide for themselves whether to mourn for Gaunt's world or not. Gaunt's adventures represent the culture and mores of the Middle ... moreAges as few others' do, and his death is portrayed by Cantor as the end of that fascinating period.
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Furthermore, the Eastern Orthodox Church, which served as a cohesive social and cultural institution, subsequently formalized many of the guidelines for ... moreartistic production in reverence for the Church's teachings and theological perspectives.
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Author Joseph Deiss reveals the story of the fatal eruption of Vesuvius from many different perspectives: from the letters of Pliny the Younger, from ... morethe studies of volcanologists, and from the amazing array of evidence uncovered by successive generations of archeologists.
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Authoritative and eminently readable, this book will entertain as much as it will educate. Full coverage is given to all aspects of life in a thousand-year ... moreperiod which saw the creation of western civilization: from the empires and kingdoms of Charlemagne, the Byzantines, and the Hundred Years War, to the ideals of the crusades, the building of great cathedrals and the social catastrophe of the Black Death; the cultural worlds of chivalric knights, popular festivals, and new art forms.
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These records are very useful to historians, where they survive. Usually jewelers were goldsmiths. The notable engravers of the 1400s either were goldsmiths, ... moreas was Master E. S., or the sons of goldsmiths, such as Martin Schongauer and Albrecht Dürer.
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Very nice bibliophilic edition in a creative binding by binding artist Anne Giordan. signed Anne Giordan. "Considerations on the Causes of the Greatness ... moreof the Romans and their Decadence" by Montesquieu (1689-1755) Founder of modern political science.
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Authoritative and eminently readable, this book will entertain as much as it will educate. Full coverage is given to all aspects of life in a thousand-year ... moreperiod which saw the creation of western civilization: from the empires and kingdoms of Charlemagne, the Byzantines, and the Hundred Years War, to the ideals of the crusades, the building of great cathedrals and the social catastrophe of the Black Death; the cultural worlds of chivalric knights, popular festivals, and new art forms.
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REVIEW: An Important Study of Convent Life! Laven's scholarly study (originally her doctoral thesis) is an eminently readable account of convent life ... morein early Renaissance Venice. She describes a fascinating slice of 16th century life.
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Kenliworth Castle as it appeared in 1620. This original copper-plate engraved antique print of Kenilworth Castle (with index) located in Warwickshire, ... moreEngland was engraved by William Radclyffe, after Henry Beighton, in 1810.
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Avar Goldsmiths' Work from the Perspective of Cultural History (Csanad Balint). The conference, organized under the auspices of the British Museum Byzantine ... moreSeminar, was the fifth in an annual series going back to 2003.
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These records are very useful to historians, where they survive. Usually jewelers were goldsmiths. The notable engravers of the 1400s either were goldsmiths, ... moreas was Master E. S., or the sons of goldsmiths, such as Martin Schongauer and Albrecht Dürer.
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Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of old-established horizons, from the Old World ... moreto the New. Dr. Yvonne Hackenbroch's seminal and comprehensive work, Renaissance Jewelry, originally published in 1979, established her reputation as the world's foremost expert in the field.
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Renaissance jewels are among the most alluring manifestations of an age that experienced the widening of old-established horizons, from the Old World ... moreto the New. Dr. Yvonne Hackenbroch's seminal and comprehensive work, Renaissance Jewelry, originally published in 1979, established her reputation as the world's foremost expert in the field.
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The period is not, of course, a renaissance in the sense or with the characteristics of the quattrocento. Furthermore, the Eastern Orthodox Church, which ... moreserved as a cohesive social and cultural institution, subsequently formalized many of the guidelines for artistic production in reverence for the Church's teachings and theological perspectives.
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CHAPTER THREE: Chronicle of an Empire. Soldierly Saint George: Patron of Armies. The Conquests of Justinian: Vandals, Ostrogoths, Visigoths. Picture Essay: ... moreBasil the Magnificent (A Portrait as Emperor: Basil Sits on his Throne Dispensing a Stern Justice. ).
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Chapters devoted to the Veneto region take readers to the neighboring cities of Vicenza, Padua, and Treviso as well as more obscure areas where photographs ... moreshowcase lovely villages and castles, such as Citadel, Asolo, Bassano, and Chioggia.
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Readers will have to decide for themselves whether to mourn for Gaunt's world or not. Gaunt's adventures represent the culture and mores of the Middle ... moreAges as few others' do, and his death is portrayed by Cantor as the end of that fascinating period.
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Pages: 148. These include the Golden Madonna, a silver crucifix, a pair of richly decorated silver candlesticks, and sumptuously illuminated manuscripts, ... moreall of which will be included in the exhibition.
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This translation will reveal Ami and Amile as a major work of the French Middle Ages. The work will foster lively literary and philosophical discussion. ... moreAmi and Amile is of interest to a wide range of readers, including students of history, comparative literature, and gender studies.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish The Lady in Medieval England ... more1000-1500 by Peter Coss. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Hardback with Dust Jacket: 214 pages. Publisher: Wrens Park Publishing; 1999) Although there have been many books written about medieval women. Few have focused specifically on the lady. In a book designed as a companion to the author's previous book. The Knight in Medieval England. Professor Coss attempts to remedy this with a work which concentrates on the role of the lady within medieval society, how she was perceived both by herself and by her male counterparts, how she related to and participated within the seemingly prevailing male culture of gentility, how the lives of lords and ladies inter-related, and how they behaved towards one another. The author begins by introducing the issues to be discussed through the example of the Pastons of the fifteenth century. The origins of the English lady are then considered and her position. Status and image during the eleventh and twelfth centuries examined, highlighting both changes and continuities. The book then develops this theme by looking at the widening gentility in England during the succeeding centuries, especially as expressed through a variety of visual media. Employing a variety of sources. Including double monumental effigies, brasses, and surviving letters, Professor Coss opens to popular scrutiny the affective relations between lord and lady, before turning to antagonistic relationships. In addition to
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Le Morte D'Arthur(Volume 1) by Sir Thomas Malory. Edited by Janet Cowen, With an Introduction by John Lawlor. DESCRIPTION: Softcover: 488 pages. Publisher: ... morePenguin Books; 1986) Edited and first published by William Caxton in 1485. Sir Thomas Malory's unique and splendid version of the Arthurian legend tells an immortal story of love, adventure, chivalry, treachery, and death. The legends of King Arthur and his knights of the Round Table have inspired some of the greatest works of literature; from Cervantes's Don Quixote to Tennyson's Idylls of the King. Although many versions exist, Malory's stands as the classic rendition. Malory wrote the book while in Newgate Prison during the last three years of his life; it was published some fourteen years later, in 1485 A.D. by William Caxton. The tales, steeped in the magic of Merlin, the powerful cords of the chivalric code, and the age-old dramas of love and death, resound across the centuries. CONDITION: New. Never read. PLEASE SEE IMAGES BELOW FOR SAMPLE PAGES FROM INSIDE OF BOOK. PLEASE SEE PUBLISHER. PROFESSIONAL, AND READER REVIEWS BELOW. PUBLISHER REVIEW: REVIEW: An immortal story of love. Adventure, chivalry, treachery, and death. Edited and first published by William Caxton in 1485, Le Morte d'Arthur" is Sir Thomas Mallory's unique and splendid version of the Arthurian legend. Mordred's treason, the knightly exploits of Tristan, Lancelot's fatally divided loyalties and his love for Gueneviere, the quest for the Holy Grail; all the elements are there woven into a wonderful completeness by the magic of his prose style. The result is not only one of the most readable accounts of the knights of the Round Table, but also one of the most moving. As the story advances toward the inevitable tragedy of Arthur's death, the effect is cumulative, rising with an impending sense of doom and tragedy towards its shattering finale. Edited and published by William Caxton in 1485. Malory's moving prose romance looks back to an ideal
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This translation will reveal Ami and Amile as a major work of the French Middle Ages. The work will foster lively literary and philosophical discussion. ... moreAmi and Amile is of interest to a wide range of readers, including students of history, comparative literature, and gender studies.
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In this utterly fascinating book. Cambridge historian Mary Laven uncovers the long-hidden stories of the "Virgins of Venice" and the secret, and often ... moresurprising, lives they led. Laven has released the voices of the nuns of renaissance Venice.
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The Town of Hercules: A Buried Treasure-Trove by Joseph Jay Deiss. DESCRIPTION: Hardcover with Dust Jacket: 183 pages. Publisher: Houghton Mifflin; 1974) ... moreISBN: 0395185165. It was a sunny. Cloudless August morning and the people of Herculaneum were going about their usual round of activities. In various parts of the town workmen plied their trades. Cabinet makers hammered and sawed, bakers baked their loaves of bread, cloth-makers dyed and pressed their cloth. The streets were filled with people, and shopkeepers hawked their wares: snacks both hot and cold, glassware, vegetables, pots and jewelry. Inside most of the houses lunch was being prepared. Suddenly a violent, cracking sound filled the air. From a mountaintop a vast mushroom cloud billowed into the sky. Within a short time the city of Herculaneum would be lost to history for almost two thousand years. Like its sister city Pompeii on the Bay of Naples. Herculaneum was buried by the great eruption of Mount Vesuvius in 79 A.D. Unlike Pompeii, smothered in hot ashes, Herculaneum was smothered under a river of hot mud. The mud slowly cooled and hardened. Herculaneum, buried at depths ranging from sixty-five and ninety-five feet, was preserved as if in plastic- a treasure-trove for rediscovery many centuries later. In this story, Author Joseph Deiss tells of that rediscovery, the years of painstaking archaeological work that went into digging out this fascinating city. From its well-preserved remains it is possible to virtually reconstruct the life that went on there. And Mr. Deiss has done so admirably with words and over ninety photographs, many of which have never before been published. CONDITION: Unblemished except moderate edge+corner shelf wear to dustjacket. Including a few tiny, neatly mended closed edge tears. Dustjacket is actually very clean and presentable, but after 30+ years it simply shows a modest amount of shelfwear. The book itself is"new" in the sense it is clearly unread. Pages are crisp, clean, unmarked, unmutilated, tightly bound,
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Not sure I would agree whole-heartedly with the book blurb. The papacy refined the Eucharist in the Mass in the Late Middle Ages. This further distanced ... morethe secular laity from the clergy. The laity continued the practices of pilgrimages, veneration of relics, and belief in the power of the Devil.
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This translation will reveal Ami and Amile as a major work of the French Middle Ages. The work will foster lively literary and philosophical discussion. ... moreAmi and Amile is of interest to a wide range of readers, including students of history, comparative literature, and gender studies.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Medieval Goldsmith’s Work. 71 ... morePlates in Full Color by Isa Belli Barsali. DESCRIPTION: Hardback with Dust Jacket: 167 pages. Publisher: Cameo/ Paul Hamlyn; 1966) When we see the range of marvelous objects produced by medieval goldsmiths. From brooches and belt clasps to crowns, chalices, reliquaries, and even altar frontals, we appreciate the multitude of skills they had at their fingertips. And when the author traces the various influences that contributed to medieval Europe through the Byzantine, Romanesque, and Gothic periods, we begin to understand why the production of medieval goldsmiths was so prolific. The ingenuity of the craftsmen was limitless, and they did not hesitate to use pearls, precious enameling, and cameos in abundance. We can imagine how medieval ceremonials must have glowed and glittered with the breathtaking magnificence of these extravagant creations. CONDITION: VERY GOOD. Lightly read hardcover w/dustjacket. Book looks like it has been flipped through a few times. Perhaps at worst, read once, very lightly. Pages are pristine; clean, crisp, unmarked, unmutilated, tightly bound, seemingly only lightly browsed(i.e. someone browsed through it a few times looking at pictures) However the front and back end papers(the first and last blank pages in the book) show very mild age tanning. Likewise the edges of the closed pages show very faint age tanning(visible only when the book is closed, not to individual pages, only to the mass of closed page edges) Gray cloth covers are clean, however the upper and lower open corners of the front cover show faint damp-staining- though there is NO evidence of damp damage anywhere else in the book) Dustacket is likewise very clean, but does evidence very edgewear, principally at the spine head which shows mild chipping. The bottom corner of the front inside flap of the dustjacket is clipped(to remove the manufacturer's suggested re
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish The Lady in Medieval England ... more1000-1500 by Peter Coss. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Hardback with Dust Jacket: 214 pages. Publisher: Wrens Park Publishing; 1999) Although there have been many books written about medieval women. Few have focused specifically on the lady. In a book designed as a companion to the author's previous book. The Knight in Medieval England. Professor Coss attempts to remedy this with a work which concentrates on the role of the lady within medieval society, how she was perceived both by herself and by her male counterparts, how she related to and participated within the seemingly prevailing male culture of gentility, how the lives of lords and ladies inter-related, and how they behaved towards one another. The author begins by introducing the issues to be discussed through the example of the Pastons of the fifteenth century. The origins of the English lady are then considered and her position. Status and image during the eleventh and twelfth centuries examined, highlighting both changes and continuities. The book then develops this theme by looking at the widening gentility in England during the succeeding centuries, especially as expressed through a variety of visual media. Employing a variety of sources. Including double monumental effigies, brasses, and surviving letters, Professor Coss opens to popular scrutiny the affective relations between lord and lady, before turning to antagonistic relationships. In addition to
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Readers will have to decide for themselves whether to mourn for Gaunt's world or not. Gaunt's adventures represent the culture and mores of the Middle ... moreAges as few others' do, and his death is portrayed by Cantor as the end of that fascinating period.
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This translation will reveal Ami and Amile as a major work of the French Middle Ages. The work will foster lively literary and philosophical discussion. ... moreAmi and Amile is of interest to a wide range of readers, including students of history, comparative literature, and gender studies.
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Readers will have to decide for themselves whether to mourn for Gaunt's world or not. Gaunt's adventures represent the culture and mores of the Middle ... moreAges as few others' do, and his death is portrayed by Cantor as the end of that fascinating period.
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Lancelot, as the main catalyst of the story, and the 'flower of all knights,' is a symbol of every human; flawed, yet struggling to better himself despite ... moreoutside temptations. Arthur, on the other hand, is the ultimate symbol of goodness, loyalty, and bravery within the code of chivalry.
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There’s Hildegarde of Bingen, twelfth-century German Nun and gifted mystic. Blanche of Castile, Queen of France. Eleanor de Monfort, real-life inspiration ... morefor a thirteenth century romantic tale. Agnes li Patiniere, a Flemish textile worker.
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There’s Hildegarde of Bingen, twelfth-century German Nun and gifted mystic. Blanche of Castile, Queen of France. Eleanor de Monfort, real-life inspiration ... morefor a thirteenth century romantic tale. Agnes li Patiniere, a Flemish textile worker.
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TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish Time-Life Great Ages of Man Series– ... moreByzantium. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. CONDITION: Light shelf wear. Otherwise in Very Good to Like New condition. Seemingly never read. Pages are pristine; clean, unmarked, unmutilated, tightly bound. PLEASE SEE IMAGES BELOW FOR JACKET DESCRIPTION(S) AND FOR PAGES OF PICTURES FROM INSIDE OF BOOK. DESCRIPTION: Hardcover: 192 pages. Publisher: Time-Life Books Inc. 1970) The“Great Ages of Man” series was released in the mid-1960’s. Each volume undertakes to describe the major events that happened in one specific time period(or“age” in the development of mankind’s civilization(s) The volumes are richly illustrated. And designed as an introduction to the time frame covered. Especially compelling are the artists interpretations or recreations of what various ancient civilizations would have looked like– their architecture, homes, monuments, cities, daily life, jewelry, food, family life, dwellings, occupations, etc. As just one instance, the ruins of Babylon and Ur, Athens and Rome hint at the incredible richness of those fabled cities. The artist’s recreations in this series are simply mind-numbing. This is as close as you can be to actually having been there. Equally noteworthy are the photographic collections of artifacts and relics attributed to the specific age, really exceptional. The entire series is truly a magnificent introduction to the history of the era. If you could have just one book(or series of books) t
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Enjoyable and informative to general readers, “Looking at Lovemaking” also provides art historians, classicists, and cultural historians with a new model ... morefor using visual imagery to understand the processes of acculturation.
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(“Sinai Byzantium Russia: Orthodox Art from the Sixth to the Twentieth Century” by Gosudarstvennyi Ermitazh. Several more general books on Byzantine art ... moreinclude The "Glory of Byzantium", edited by Helen C. Evans, and Thomas F. Mathews's "Byzantium from Antiquity to the Renaissance").
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Authoritative and eminently readable, this book will entertain as much as it will educate. Full coverage is given to all aspects of life in a thousand-year ... moreperiod which saw the creation of western civilization: from the empires and kingdoms of Charlemagne, the Byzantines, and the Hundred Years War, to the ideals of the crusades, the building of great cathedrals and the social catastrophe of the Black Death; the cultural worlds of chivalric knights, popular festivals, and new art forms.
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These include the Golden Madonna, a silver crucifix, a pair of richly decorated silver candlesticks, and sumptuously illuminated manuscripts, all of which ... morewill be included in the exhibition. Pages: 148.
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Pages: 148. These include the Golden Madonna, a silver crucifix, a pair of richly decorated silver candlesticks, and sumptuously illuminated manuscripts, ... moreall of which will be included in the exhibition.
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FRESCO ROMAN POMPEII REPRODUCTION
FRESCO FRAGMENT OF AN UNKNOWN ROMAN COUPLE FROM HERCULANEUM POMPEII. PROFESSIONALLY REPRODUCED AND INCLUDES ANY FAULTS FOUND ON THE ORIGINAL.
ROMAN POMPEII FRESCO REPLICA PRIAPUS GOD OF FERTILITY
A historical painting with great mythology! PRIAPUS(PRIAPOS) The Vettius house belonged to two wealthy merchants. Aulus Vettius Restitutus and Aulus Vettius Conviva. Its beautiful paintings(still in their original positions) and the skillful reconstruction of its apartments make it one of the most interesting houses to visit in the whole town. This is a small sampling of the brilliant frescoes which remain in the house in their original locations. Long-standing God of Virility and Fertility Approximate size: 9.5 cm x 14 cm(3.8" x 5.5" mounted on black foam board 12 cm x 16.5 cm(4.8" x 6.5" Though there is some confusion on who his father was. It must have been Zeus. Deposited the seed which incited the creation of the magnificent Priapos. Ever jealous Hera got overly upset because of this affair of her husband and with ... morea magic touch to Aphrodite's belly. Cursed the child growing there in the way most offensive to Aphrodite: she made him ugly. According to hearsay. Priap u s was born with a huge belly. Huge feet, hands, nose, tongue, and a gigantic, always erect phallus. The obscenity of this creature so offended Aphrodite that she cast him out of her realm and abandoned him in the wilderness. Some others say that he was utterly chasing after all the goddesses that the Gods kicked him out and Priapus fell to Earth. He was taken in by a herdsman. Who found that wherever this incredible creature went. Everything grew like crazy: Plants shot up from the ground. And animals hopped upon each other, copulating furiously and giving birth. Priapus soon became known as a fertility god, but this is only a part of his aspect. He also was said to cure impotence, bring good luck and was particularly adept at warding off the evil-eye. Ancient authors tell a lot about the worship of Priap u s. Women who wanted to have babies would wear amulets that represent his phallus. They would sing and chant while swinging those amulets tied to a string in his shrine. MAY THIS POMPEII PRIAPUS BRING YOU THE JOY. HAPPI
ROMAN POMPEII FRESCO REPLICA NAVAL BATTLE -3- ROMAN TRIREME FROM ISIS TEMPLE
Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE NAVAL BATTLE GALLEY-TRIREME Two Roman Galleys from a wall painting in Pompeii. Both ships are leaving the port It's difficult to say what kind of galley they are; either trireme or quinquereme. Although even that is uncertain. Approximate size: 18.5 cm X 8.5 cm(7.3" x 3.3" mounted on black foam board 21 cm x 11 cm(8.2"x 4.3" A must to own item for anyone who loves ancient naval history! Since the original ... morewall paintings are already in museums and/or ancient sites this is as close as you can get to them! Perfect gift in the holiday season! The real replica is much nicer than it looks in pictures. YOU CAN SEE MY OTHER FRESCOES AT: http:picasaweb.google.ca/SANDANART/FRESCOES02# Ancient Fresco Technique: To get a smooth wall surface for the painting to be made on. The rough stone wall was covered with a number of chalk layers(sometimes even 6 or 7) or various content. On the last of these layers, which was very thin, the wall decoration was painted"al fresco" i.e. while the last layer of chalk was still wet. This wall decoration was put on from the top to the bottom of the wall, i.e. the painting was put on in phases and covered the whole of the wall. The decoration was put on, after an incised study draw had been made, by the pictor. This fresco replica was%100 hand-crafted by picture transferring on plaster slab. See my about me page on how I started to make replicas of ancient wall paintings. I have only begun to sell my art works on e-bay recently. Although my feedback is growing rapidly. It is actually higher than it is seen because many of my customers buy the second,
ROMAN POMPEII WALL PAINTING FRESCO APHRODITE VENUS IN GOLDEN RING
800x600 ONE OF THE MOST EXOTIC REPRESENTATIONS OF THE GODDESS OF BEAUTY VENUS- APHRODITE IN GOLDEN RING From the House of Marcus Fabius Rufus- Pompeii In this exceptional picture Venus. Goddess of Love was portrait holding a golden scepter and wearing a golden crown. Her earrings made with large pearls, diamond; emerald and golden necklaces are completed with golden hair ribbons on the sides of her head. Her purple dress also has golden flower ornaments. The whole portrait is placed in an ornamented golden ring on attractive red background paint. Approximate size: 14 cm x 15 cm(5.5" x 5.9" mounted on black foam board 16.4 cm x 17.5 cm(6.5" x 6.9" A must to own item for anyone who loves ancient art and mythology! Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 YOU CAN SEE MY OTHER FRESCOES AT: ... morehttp:picasaweb.google.ca/SANDANART/FRESCOES02# Since the original wall paintings are already in museums and/or ancient sites this is as close as you can get to them! The real replica is much nicer than it looks in pictures. Ancient Fresco Technique: To get a smooth wall surface for the painting to be made on. The rough stone wall was covered with a number of chalk layers(sometimes even 6 or 7) or various content. On the last of these layers, which was very thin, the wall decoration was painted"al fresco" i.e. while the last layer of chalk was still wet. This wall decoration was put on from the top to the bottom of the wall, i.e. the painting was put on in phases and covered the whole of the wall. The decoration was put on, after an incised study draw had been made, by the pictor. This fresco replica was%100 hand-crafted by picture transferring on plaster slab. See my about me page on how I started to make replicas of ancient wall paintings. I have only begun to sell my art works on e-bay recently. Although my feedback is growing rapidly. It is actually higher than it is seen because many of my customers buy the second, third and fourth upon seeing and marvelling their f
ROMAN TEMPARA PAINTING FRESCO REPLICA SEPTIMIUS SEVERUS & FAMILY PICTURE
FAMILY PICTURE OF SEPTIMIUS SEVERUS, with JULIA DOMNA and children CARACALLA& GETA THE ONLY PAINTING THAT SHOWS THE COMPLETE FAMILY EXCEPT GETA'S ERASED FACE! Approximate size: 16 cm diameter(6.3" dia. mounted on black foam board 15.5 cm x 15.5 cm(6.1" x 6.1" This is the only surviving painting that depicts Septimius Severus and his family. Now in Berlin Staatliche Museen. Originally sent to Egypt to publicize the imperial family. Tempera Painting from the Fayum. Geta's face was erased after he was killed on Caracalla's order in February 212 AD; hence the painting continued to be displayed thereafter. White togas with yellow borders fringed with purple for men. Embroidered gold wreaths on the chests of the boys. Purple borders fringed with gold for Julia Domna. All three men hold white scepters with dark tips. ... moreGold laurel wreaths with two emeralds and central ruby for Septimius Severus and Caracalla. Crescent shaped crown with white pearls, earrings and necklace of white pearls for Julia. Circa 199 AD. GREAT ITEM FOR ANYONE WHO IS INTERESTED IN THE SEVERAN DYNASTY Perfect gift! The real replica is much nicer than it looks in pictures. YOU CAN SEE MY OTHER FRESCOES AT: https:plus.google.com/photos/116968239785743660489/albums/5370353278585051073?banner=pwa Since the original wall paintings are already in museums and/or ancient sites this is as close as you can get to them! Ancient Fresco Technique: To get a smooth wall surface for the painting to be made on. The rough stone wall was covered with a number of chalk layers(sometimes even 6 or 7) or various content. On the last of these layers, which was very thin, the wall decoration was painted"al fresco" i.e. while the last layer of chalk was still wet. This wall decoration was put on from the top to the bottom of the wall, i.e. the painting was put on in phases and covered the whole of the wall. The decoration was put on, after an incised study draw had been made, by the pictor. This fresco replica was%100 hand-crafted by p
NEW Lovemaking Sexuality Roman Erotic Art Race Ethnicity Humor Sex Cameos Fresco
TRANSLATE Arabic Chinese French German Greek Indonesian Italian Hindi Japanese Korean Swedish Portuguese Russian Spanish[RARE. OUT-OF-PRINT] Looking at Lovemaking: Constructions of Sexuality in Roman Art 100 BC– AD 250" by John R. Clarke. NOTE: We have 75.000 books in our library, almost 10,000 different titles. Odds are we have other copies of this same title in varying conditions, some less expensive, some better condition. We might also have different editions as well(some paperback, some hardcover, oftentimes international editions) If you don’t see what you want, please contact us and ask. We’re happy to send you a summary of the differing conditions and prices we may have for the same title. DESCRIPTION: Hardback with Dust Jacket: 406 pages. Publisher: University of California Press; 1998) This animated and readable book will surprise ... morereaders who assume that erotic art is universal in its meaning. Author John R. Clarke asks. what did sex mean to the Romans? In offering his provocative and thoughtful answer, Looking at Lovemaking” examines Roman attitudes toward sex and toward race, ethnicity, physical deformity, and humor as well; and shows how radically the Roman’s conception of these ideas differs from ours today. This richly illustrated volume is the first study of ancient erotic art and sexuality to set these works, many of them newly discovered and previously unpublished, in their ancient context, and the first to define the difference between modern and ancient concepts of sexuality using clear visual evidence. To characterize a work of art as“erotic” summons ideas of illicit images to be kept out of public view. And yet Clarke shows us that Roman depictions of sex. In all its diversity, were very much in demand. Visual representations of sex between men, between women, and between men and women, all in a variety of positions and groupings, were produced in a range of media, from fine cameo-glass and silver vessels to wall-paintings and mosaics, to mass-produced ceramics. These works were
19255 Roman stucco fresco fragment Wall painting fragment
We have an amazing collection of antiques and collectibles Regardless of your tastes. We have what you desire or know where we can find it for you. ID number: 19255 Roman stucco fresco fragment Wall painting fragment Material: Stucco. Region of origin: European Date: dating from c. 200 AD Size: see photo. In cm Condition: see photo Estimated value: £ 20. £ 30. Provenance: from an old European. Dutch collection We have an amazing collection of antiques and collectibles Regardless of your tastes. We have what you desire or know where we can find it for you.
ROMAN POMPEII WALL PAINTING FRESCO REPLICA ALEXANDER'S MOTHER OLYMPIAS- KITHARA
800x600 Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 Normal 0 false false false EN-CA X-NONE X-NONE Normal 0 false false false EN-CA X-NONE X-NONE MicrosoftInternetExplorer4 A VERY COLORFUL SCENE OF A KITHARA PLAYER and the SERVANT This figure ... moreplaying the lyre has most recently been identified as Olympias. Mother of Alexander the Great. From the east wall of the oecus(H) of the Villa of Publius Fannius Synistor– Boscoreale(Pompeii) AROUND 40 AD. Boscoreale is located on the slopes of Mount Vesuvius. To the north of Pompeii. Approximate size: 16.5 cm X 16.7 cm(6.5" X 5.5" mounted on black foam board 19 cm x 13.5 cm( 7.5" X 6.5" GREAT ITEM FOR ANYONE WHO IS INTERESTED IN MUSIC. HISTORY AND ANCIENT PAINTINGS! PERFECT GIFT! Since the original wall paintings are already in museums and/or ancient sites this is as close as you can get to them! YOU CAN SEE MY OTHER FRESCOES AT: http:picasaweb.google.ca/SANDANART/FRESCOES02# The real replica is much nicer than it looks in pictures. Ancient Fresco Technique: To get a smooth wall surface for the painting to be made on. The rough stone wall was covered with a number of chalk layers(sometimes even 6 or 7) or various content. On the last of these layers, which was very thin, the wall decoration was painted"al fresco" i.e. while the last layer of chalk was still wet. This wall decoration was put on from the top to the bottom of the wall, i.e. the painti