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8.5”x11”, color illustrations. Minor soil, light wear.
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Location: Lummi Island, United States
And "who were the earliest inhabitants?". We know that the Vikings preceded Christopher Columbus to the New World by 500 years. But why did they abandon ... moretheir Newfoundland colony?. Mysteries like these are probed, and the answers sought in chapters that approach ancient history topically.
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AMERICAN INDIAN ART MAGAZINE Autumn 1999 Volume 24 Number 4
American Indian Art Magazine Volume 24 | Number 4 | Autumn 1999 18 AUCTION BLOCK by Harmer Johnson 22 MUSEUMS 26 GALLERIES 34 CALENDAR OF AUTUMN EVENTS 38 COCHITI CERAMIC FIGURINES 1880–1915: POSSIBLE SOURCES OF INSPIRATION by Cheri Falkenstien-Doyle Written in conjunction with a show at the Wheelwright Museum of the American Indian in Santa Fe. New Mexico, this article focuses on figurines made at Cochiti between 1880 and 1915. 48 MARKETING TRADITION: LATE NINETEENTH-CENTURY GWICH’IN CLOTHING EMSEMBLES by Judy Thompson Details a particular type of Gwich’in summer attire— multi-piece ensembles of white caribou hide decorated with porcupine quillwork— which were made in the late nineteenth century but which seem to accurately represent Gwich’in clothing styles of at least one hundred years earlier. 60 NEZ PERCE DECORATIVE ART OF THE 1870s ... moreby Steven L. Grafe Focuses on two groups of Nez Perce items that can be securely dated to the 1870s— the first. Collected for the Centennial Exhibition of 1876 and the second, in the context of the Nez Perce War of 1877. 72 NOT JUST A PRETTY FACE: DOLLS AND HUMAN FIGURINES IN ALASKA NATIVE CULTURES by Angela J. Linn and Molly Lee Written in conjunction with a show currently on view at the University of Alaska Museum in Fairbanks. The article concentrates on the various purposes dolls and human figurines served in Alaska Native cultures during the historic period.
AMERICAN INDIAN ART MAGAZINE Autumn 2005 Volume 30 Number 4
American Indian Art Magazine Volume 30 | Number 4 | Autumn 2005 18 AUCTION BLOCK by Harmer Johnson 33 CALENDAR OF AUTUMN EVENTS 44 LEGAL BRIEFS by Ron McCoy 48 A TALE OF TWO CARVERS: THE RAIN WALL SCREEN OF THE WHALE HOUSE. KLUKWAN, ALASKA by Steven C. Brown A detailed study of the interior house screen of the Gaanaxteidí Whale House in the Chilkat Tlingit village of Klukwan. Alaska, which has been attributed to both Tlingit and Tsimshian artists ever since it was first written about in detail by ethnographer George Thornton Emmons in 1916. 60 NATIVE VIEWS: INFLUENCES OF MODERN CULTURE ABOARD ARTRAIN USA by Gael Hancock Reviews exhibit Native Views: Influences of Modern Culture. Which includes seventy-one pieces of contemporary art by fifty-four Native American artists. The exhibit is currently touring the United States via the country’s ... morerails aboard Artrain USA, a five-car rolling museum. 68“THE GREATEST INDIVIDUAL HUNTER OF MATERIAL IN THE NORTH” COLLECTING IN ALASKA. CANADA AND CHUKOTKA WITH CAPTAIN JOSEPH-FIDÈLE BERNARD by Judy Hall Recounts the life of Joseph-Fidèle Bernard. Who had a thirty-year career as a trader, collector, trapper, miner and explorer in Alaska, the western Canadian Arctic and the Russian Far East. Bernard’s comprehensive anthropological collections rival those of other explorers and scientists in the Arctic at the turn of the century. 78 TRICKSTER IN CONTEMPORARY NATIVE AMERICAN ART AND THOUGHT: THE INDIGENOUS CULTURAL LANGUAGE OF BOB HAOZOUS by Traci L. Morris-Carlsten Discusses the life and career of the Apache artist Bob Haozous. And suggests that in his work Haozous employs humorous and ironic images in order to draw attention to the boundaries that his art transgresses and to stimulate discussion via symbolic language.
AMERICAN INDIAN ART MAGAZINE Autumn 1998 Volume 23 Number 4
AMERICAN INDIAN ART MAGAZINE Autumn 1998 Volume 23 Number 4 Volume 23 | Number 4 | Autumn 1998 17 GALLERIES 20 AUCTION BLOCK by Harmer Johnson 28 CALENDAR OF AUTUMN EVENTS 34 LEGAL BRIEFS by Ron McCoy 38 MUSEUMS 42 TATTOOED BODIES AND SEVERED AURICLES: IMAGES OF NATIVE AMERICAN BODY MODIFICATION IN THE ART OF BENJAMIN WEST by Arthur Einhorn and Thomas S. Abler Examines the nasal and ear ornaments worn by Native American figures in West’s paintings. The body modifications necessary to wear them, and the tattoos that decorated the bodies of these aboriginal North Americans. 54 THE WORK AND INFLUENCE OF MAIDU PAINTER FRANK DAY by Rebecca J. Dobkins Focuses on the development of Day’s career as a painter. And considers the relationships between his work and that of a selection of contemporary artists of Maidu heritage. 68 LOOKING NORTH: THE ETHNOLOGY ... moreCOLLECTION OF THE UNIVERSITY OF ALASKA MUSEUM by Molly Lee Gives an overview of the ethnology collection of the University of Alaska Museum. Fairbanks, discusses the types of collectors who have contributed to it and illustrates the collection’s wide range of object types. 80 INDIVIDUALITY AND CULTURAL HISTORY: THE QUESTION OF ARTISTIC LICENSE AND PLAINS REPRESENTATIONAL IMAGERY by Joyce M. Szabo Suggests that while the basic language of Plains drawings was determined by the information required by the images. Individuality did not disappear when these warrior-artists took pen and pencil to paper. 102 BOOK REVIEW THE BIOGRAPHICAL DIRECTORY OF NATIVE AMERICAN PAINTERS by Patrick D. Lester. Reviewed by Kevin W. Smith. Please take a look at my other Rare& Out Of Print Books!
AMERICAN INDIAN ART MAGAZINE Autumn 2001 Volume 26 Number 4
American Indian Art Magazine Volume 26 | Number 4 | Autumn 2001 17 GALLERIES 38 AUCTION BLOCK by Harmer Johnson 48 THE CULTURAL AND MULTICULTURAL AESTHETICS OF BAKER LAKE INUIT ARTISTS by Emily A. Auger Discusses art production in Baker Lake. A community on the western side of Hudson Bay in the territory of Nunavut, and then presents the thoughts of six Baker Lake Inuit artists interviewed by the author in 1988. 60 400 YEARS OF NATIVE ART AT THE MASHANTUCKET PEQUOT MUSEUM AND RESEARCH CENTER by Stephen Cook Provides an overview of the museum’s collections. Permanent exhibits and library. The items in these collections help to tell the many stories of Native artists through time and across the North American continent. 68 THE ORIGINS OF HUICHOL YARN PAINTINGS. PART II: STYLES, THEMES AND ARTISTS by Hope MacLean Summarizes the author’s research ... moreon Huichol yarn paintings. With an emphasis on the work of three innovative artists— Guadalupe de la Cruz Rios, Eligio Carrillo Vicente and Mariano Valadez. 78 NAVAJO RING BITS by David M. Brugge and Tobi Taylor Presents research on a little-known type of Navajo horse gear. The ring bit— the most complex object created by Navajo blacksmiths— detailing its history, characteristics and use. 88 LEGAL BRIEFS by Ron McCoy 102 CALENDAR OF AUTUMN EVENTS 108 BOOKS 112 MUSEUMS 120 BOOK REVIEW PRIVILEGING THE PAST: RECONSTRUCTING HISTORY IN NORTHWEST COAST ART by Judith Ostrowwitz. Reviewed by Margaret Dubin. RcmdId ViewItemDescV4,RlogId p4%60bo7%60jtb9%3Fv%7F.rpn35%3E-13ce36b4c19-0x100-
AMERICAN INDIAN ART MAGAZINE Autumn 2003 Volume 28 Number 4
American Indian Art Magazine Volume 28 | Number 4 | Autumn 2003 18 AUCTION BLOCK by Harmer Johnson 24 GALLERIES 34 CALENDAR OF AUTUMN EVENTS 42 MUSEUMS 48 REYES GALVAN: A MASTER ZIA POTTER by Dwight P. Lanmon and Francis H. Harlow Summarizes the authors’ research in retracing the life of Zia potter Reyes Galvan. Identifying the stylistic evolution of her pottery and differentiating her work from that of other contemporaneous Zia potters. 60 A STIRRING STORY: NAVAJO AND PUEBLO SPOONS by Cindra Kline Written in conjunction with the first exhibition devoted to Navajo and Pueblo silverware. A Stirring Story: Navajo and Pueblo Spoons. On display at the Wheelwright Museum of the American Indian. Santa Fe, New Mexico, presents four hundred pieces, in a variety of forms, from the late nineteenth through early twentieth centuries. 70 THE PEARSALL ... moreCOLLECTION OF AMERICAN INDIAN ART: FORTIETH ANNIVERSARY SELECTIONS by Sandra Starr The Pearsall Collection of American Indian Art: Fortieth Anniversary Selection, on display at the Florida Museum of Natural History. Gainesville, showcases 240 objects, from four geographical areas, collected by Leigh Morgan Pearsall. 78 WOOL YARNS IN LATE CLASSIC NAVAJO BLANKETS by Ann Lane Hedlund Drawing on weavings in the Textile Museum in Washington. D.C. this article focuses on the wool yarns found in Navajo Late Classic serape-style blankets and their utility as diagnostic features indicating the source of and period during which the yarns— and therefore the textiles— were produced.
AMERICAN INDIAN ART MAGAZINE Autumn 2000 Volume 25 Number 4
American Indian Art Magazine Volume 25 | Number 4 | Autumn 2000 20 AUCTION BLOCK by Harmer Johnson 24 GALLERIES 38 ZUNI FETISHES: ART AND CHANGE by Jim Ostler Suggests that contemporary Zuni fetish carving has undergone an artistic revolution in the past two decades and that by working outside the boundaries of traditional aesthetics. Carvers have developed a way to express their creativity without clear ground for criticism. 46 SOUTHEASTERN INDIAN BASKETRY IN THE GILCREASE MUSEUM COLLECTION by Jason Baird Jackson Presents an overview of the southeastern baskets at the Gilcrease Museum. Tulsa, Oklahoma. This article outlines all of the major southeastern basketry types, including those not represented in the Gilcrease Museum’s collection. 56 ALBERT LUJAN: ENTREPRENEURIAL PUEBLO PAINTER OF TOURIST ART by Bradley F. Taylor Presents an overview ... moreof the life and artwork of Albert Lujan(1892–1948) A Taos Pueblo painter who worked in a three-dimensional Euro-American style while focusing his work on village themes that would appeal to the tourist market. 66 NORTHWEST COAST SILVER BRACELETS AND THE USE OF EURO-AMERICAN DESIGNS by Kathryn Bunn-Marcuse Sometime between the 1830s and the 1860s. Northwest Coast silver bracelets became popular among Native American and Euro-Americans alike. Not only are they important to Native traditions— often displaying inherited crests and given as gifts at potlatches— they are also one of the most enduring and widely collected Northwest Coast art forms.
AMERICAN INDIAN ART MAGAZINE Autumn 1989 Number 4 Volume 14
AMERICAN INDIAN ART MAGAZINE Autumn 1989 Number 4 Volume 14 Please take a look at my other Rare& Out Of Print Books!
ANTIQUE AMERICAN INDIAN ART MAGAZINE - AUTUMN 1978--SPECIAL PLAINS ISSUE
OFFERED FOR AUCTION TYPE SALE IS THIS SPECIAL PLAINS ISSUE OF AMERICAN INDIAN ART MAGAZINE. AUTUMN 1978. 88 PAGES, LOTS OF INTERESTING ADVERTISEMENTS, AND GREAT HISTORICAL ARTICLES.
ANTIQUE NORTH AMERICAN INDIAN ART MAGAZINE - AUTUMN 1979
American Indian Art magazine. Autumn of 1979. Very little cover wear. Inside is very good. Only ship to lower 48 states. 1.RcmdId ViewItemDescV4,RlogId p4%60bo7%60jtb9%3Fuk.rp73%28b0g%60%60%3E1-14b76dbe921-0x107-